|Saturday, 18 October 2008 19:39|
John Francis Anthony "Jaco" Pastorius III
Born: December 1, 1951,Norristown, Pennsylvania
Died: September 21, 1987, Fort Lauderdale, Florida, USA
Cause of death: Killed by Club Bouncer Luc Haven after dispute.
Notable because: Esteemed as the 'bass players bass player.'
Jaco Pastorius was a American jazz musician and composer widely acknowledged for his skills on the bass guitar, as well as his command of varied musical styles including jazz, jazz fusion, funk, and jazz-funk. He is also regarded as one of the most skilled and influential bass guitar players of all time.
His playing style was noteworthy for containing intricate solos in the higher register. His innovations also included the use of harmonics and the "singing" quality of his melodies on fretless bass. In 2006, Pastorius was voted "The Greatest Bass Player Who Has Ever Lived" by reader submissions in Bass Guitar magazine. He was inducted into Down Beat Jazz Hall of Fame in 1988, one of only four bassists to be so honored (the others being Charles Mingus, Milt Hinton, and Ray Brown), and the only electric bassist to receive this distinction. In his 30s, Pastorius suffered from mental illness and substance abuse, and was diagnosed with bipolar disorder in 1985. He died in 1987 from a physical beating sustained from a doorman while trying to gain entry into the Midnight Club in Fort Lauderdale at age 35.
Pastorius started his musical career as a drummer (following in the footsteps of his father Jack, a stand-up drummer) but when he was 13, he injured his wrist while playing football. The break was so severe it caused calcium to build up in his wrist and required corrective surgery. After that he was never able to hit a snare drum properly again. At that time he was in a nine-piece horn band called Las Olas Brass (which covered popular material of the day by Aretha Franklin, Otis Redding, Wilson Pickett, James Brown and the Tijuana Brass.) Rendered unable to play the drums, he decided to fill in the spot left open by the recently departed bass player.
As Pastorius' interest in jazz grew, he developed a desire to play the double bass. After saving money for a considerable length of time for the purchase of a double bass, he found that the instrument could not stand up to the Florida humidity. One morning, his double bass was "in like a hundred pieces" as he put it. Deciding that to replace it would be too expensive, he instead pried out the frets on his Fender, filled the fret holes with wood putty, and coated the fingerboard with marine varnish.
He continued to play music throughout his youth, drawing on aforementioned influences like Jerry Jemmott, James Jamerson, Paul Chambers, Harvey Brooks, and Tommy Cogbill and honing his skills and developing his songwriting prowess in bands like Wayne Cochran and The C.C. Riders. He also played on various local R&B and jazz records during that time such as Little Beaver, Ira Sullivan's Quintet, and Woodchuck. In 1974, he began playing with his friend and later famous jazz guitarist Pat Metheny. They recorded together, first with Paul Bley as leader and Bruce Ditmas on drums, then with drummer Bob Moses. Metheny and Jaco recorded a trio album with Bob Moses on the ECM label, entitled Bright Size Life.
In 1975, Pastorius met up with Blood, Sweat and Tears drummer Bobby Colomby, who had been given the green light by CBS records to find "new talent" for their jazz division.Pastorius' first album, produced by Colomby and entitled Jaco Pastorius (1976), was a breakthrough album for the electric bass. Many consider this to be the finest bass album ever recorded; when it exploded onto the jazz scene it was widely praised by critics. The album also boasted a lineup of heavyweights in the jazz community at the time, who were essentially his stellar back up band, including Herbie Hancock, Wayne Shorter, David Sanborn, Lenny White, Don Alias, and Michael Brecker among others. Even legendary R&B singers Sam & Dave reunited to appear on the track "Come On, Come Over".
Around the time of his solo album, he ran into keyboardist Josef Zawinul in Miami, where his band, Weather Report, were playing. According to Zawinul, Pastorius walked up to him after a concert one night and talked about the performance and said that it was all right but that he had expected more. He then went on to tell Zawinul that he was the greatest bass player in the world. An unamused Zawinul told him to "get the fuck outta [his] sight." According to Milkowsky's book, on that same evening, Jaco persisted and, according to Zawinul, reminded Zawinul of himself when he was a "brash young man" in Cannonball Adderley's band, which made Zawinul admire the young bassist. Zawinul asked for a demo tape from Pastorius, and thus began a series of correspondence between the two.
Pastorius entered Weather Report during the recording sessions for Black Market, and he became a vital part of the band both by virtue of the unique qualities of his bass playing, his skills as a composer and his exuberant showmanship on stage. His stage act and melodic, propulsive solos brought Weather Report a large new black audience; before his arrival the band had mostly pulled in white college fans.
One night before a gig, Zawinul offered Jaco a drink to loosen him up. Pastorius had never drank before due to his father's own struggles with alcohol, but after two drinks, Zawinul said he got "strange. He started throwing things. I knew right away I had made a mistake." Pastorius's drinking grew more out of control in the ensuing years, with Zawinul so furious during a Japanese tour in 1980 he was ready to fire Jaco. He called bassist Tony Levin, but he wasn't available. Before a replacement was found, Jaco showed up at Zawinul's door apologizing profusely, and Joe once again forgave him.
Pastorius guested on many albums by other artists; 1976 with Ian Hunter of Mott the Hoople fame, on All American Alien Boy with David Sanborn, Ansley Dunbar, etc. Joni Mitchell's Hejira album, and a solo album by Al Di Meola are standouts, both released in 1976. Soon after that, Weather Report bass player Alphonso Johnson gave notice that he would be leaving to start his own band. Pastorius was happily invited by Zawinul to join the band, where he played alongside Joe and Wayne Shorter until 1983. It is with Weather Report that Pastorius made his indelible mark on jazz music, being featured on one of the most popular jazz albums of all time, the Grammy-nominated Heavy Weather. Not only did this album showcase Jaco's stunning bass playing, but he also received a co-producing credit with Joe Zawinul and even plays drums on his self-composed "Teen Town."
During the course of his musical career, Pastorius played on dozens of recording sessions for other musicians, both in and out of jazz circles. Some of his most notable are four highly regarded albums with acclaimed singer/songwriter Joni Mitchell: Hejira (1976), Don Juan's Reckless Daughter (1977), Mingus (1979) and the live album Shadows and Light (1980). His influence was most dominant on Don Juan's Reckless Daughter, and many of the songs on that album seem to be composed using the bass as a melodic source of inspiration.
Near the end of his career, he guested on low-key releases by jazz artists such as guitarist Mike Stern, gypsy guitarist Biréli Lagrène, and drummer Brian Melvin. In 1985, he recorded an instructional video, Modern Electric Bass, hosted by bass legend Jerry Jemmott.
By the time he and Weather Report parted ways in early 1981, Jaco began pursuing his interest in creating a Big Band solo project named Word of Mouth, one that found its debut aurally on his second solo release, Word of Mouth. This 1981 album also boasted guest appearances by several distinguished jazz musicians; Herbie Hancock, Weather Report alumni Wayne Shorter and Peter Erskine, and harmonica virtuoso Toots Thielemans and Hubert Laws. The album allowed Pastorius' songwriting to take some of the spotlight from his bass performance. It also showcased his production skills and ultimately, his ability to bring together a project that was recorded on both coasts of the United States.
He toured in 1982; a swing through Japan was the highlight, and it was at this time that bizarre tales of Jaco's deteriorating behavior first surfaced. He shaved his head, painted his face black and threw his bass into Hiroshima Bay at one point. That tour was released in Japan as Twins I and Twins II and was condensed for an American release which was known as Invitation.
In the early to mid-1980s, Pastorius began to experience increasingly severe mental health problems. These were worsened by drug and alcohol use, and he was eventually diagnosed as suffering from bipolar disorder. Although his on-stage and off-stage antics were already well-documented, his mental health and addiction issues exacerbated his already unusual and often bizarre behavior, and his musical performances suffered.
From 1984 to 1987 he played in various solo acts, mostly in Fort Lauderdale and New York City. His erratic behavior led to his becoming an outcast in the musical community. He was left to gig at various smaller venues, but as his behavior became too much, he would be banned at one club and move on to the next. He was eventually dropped by Warner Brothers. He had to be pulled off stage during the 1984 Playboy Jazz Festival because of his drunkenness, prompting an apology to the crowd by MC Bill Cosby. By 1984, the Word of Mouth Big Band had also splintered.
In 1982, he managed to record a third solo album, which made it as far as some unpolished demo tapes, a steelpans-tinged release entitled Holiday for Pans, which once again showcased him as a composer and producer rather than a performer. Jaco did not play any of the bass parts on this album. He could not find a distributor for the album and the album was never released; however, it has since been widely bootlegged. In 2003, a cut from Holiday for Pans, entitled "Good Morning Anya", was included on Rhino Records' anthology Punk Jazz.
After sneaking onstage at a Carlos Santana concert September 11, 1987, he was ejected from the premises, and he made his way to the Midnight Bottle Club in Wilton Manors, Florida. After reportedly kicking in a glass door after being refused entrance to the club, he was engaged in a violent confrontation with the club bouncer, Luc Havan. Pastorius was hospitalized for multiple facial fractures and damage to his right eye and right arm, and had sustained irreversible brain damage. He fell into a coma and was put on life support.
There were initially encouraging signs that he would come out of his coma and recover, but a massive brain hemorrhage a few days later pointed to brain death. His family decided on a majority vote to remove him from life support, even though his second wife Ingrid was against the decision. Pastorius died on September 21, 1987, aged 35, at Broward General Medical Center in Fort Lauderdale. His heart continued to beat for three hours after the life support machine was disconnected
In the wake of Pastorius' death, Havan, a karate expert, was charged with second degree murder, but later pled guilty to manslaughter, for which he served four months. Pastorius was buried at Our Lady Queen of Heaven Cemetery in North Lauderdale.
Miles Davis honored the late bassist on his album Amandla with the Marcus Miller composition "Mr. Pastorius", as Jaco was an inspiration to Marcus Miller. Victor Wooten also honored Jaco on his album Soul Circus on the track "Bass Tribute", thanking Pastorius several times. Wooten and Steve Bailey's Bass Extremes includes the tracks "Glorius Pastorius", "Portrait of Tracy," and also a tribute to Jaco's interpretation of Charlie Parker's "Donna Lee" titled "Madonna Lee". The Pat Metheny Group also honored Jaco on their album Pat Metheny Group with the track "Jaco". This song was not specifically written for Pastorius. Metheny wrote the song and then realized that the main melody sounded a lot like Pastorius' "Come On, Come Over", and subsequently decided to name the tune for Pastorius.
John McLaughlin also honored Jaco on his album Industrial Zen with the song "For Jaco". English keyboard player Rod Argent includes a track titled "Pastorius Mentioned" on his 1979 Album Moving Home. Stuart Zender, the original bass player and founding member of Jamiroquai, cites Pastorius as one of his main influences. "With his sense of rhythm, melody and use of harmonics, Jaco pushed the envelope and transformed the way the electric bass guitar was played." Canadian bassist Alain Caron pays tribute to Pastorius by playing an upright bass version of "Donna Lee" on Uzeb's World Tour '90 album, and has mentioned that Pastorius was his biggest inspiration when it comes to playing fretless bass.
The song "Big Country", by Bela Fleck and the Flecktones, contains the opening lick from Jaco's "Continuum". On November 28, 2007, the Oakland Park City Commission unanimously voted to name the city's new downtown park after Pastorius. Jaco's hometown celebrated its most famous artist with a tremendous honor: a living memorial with a focus on the arts. A 2-1/2 year grassroots effort by loyal south Florida fans finally came to fruition. Now south Florida residents and Jaco fans worldwide will have a place to reflect upon and enjoy the legacy of this music giant. There are also plans to incorporate Jaco's name and story into the City's various performing arts events. Bassists Tetsuo Sakurai, Kenji Hino, Quagero Imazawa, Koichi Osamu, Kiichiro Komobuchi, and Akira, all of Japan, released a tribute album entitled Play Jaco: A Tribute To Jaco Pastorius in 2006 under the artist name Japanese Top Bass Guitarists.
On December 2, 2007, the day after what would have been Pastorius' 56th birthday, a concert called "A Tribute to Jaco Pastorius" was held at The Broward Center for the Performing Arts in Fort Lauderdale, Florida, featuring performances by the award-winning Jaco Pastorius Big Band with special guest appearances by Peter Erskine, Randy Brecker, Bob Mintzer, David Bargeron, Jimmy Haslip, Gerald Veasley, Jaco's sons John and Julius Pastorius, Jaco's daughter Mary Pastorius, Ira Sullivan, Bobby Thomas, Jr., and Dana Paul. Also shown were exclusive home movies and rare concert footage as well as video appearances by Pat Metheny, Joni Mitchell, and other luminaries from Jaco's life. Almost 20 years after Jaco's death, Fender released the Jaco Pastorius Jazz Bass, a fretless instrument from its Artist Series.
|Last Updated on Wednesday, 25 March 2009 13:39|