Gene Clark PDF Print E-mail
Tuesday, 14 September 2010 05:00

Gene Clark, born Harold Eugene Clark

Born:  November 17, 1944, Tipton, Missouri, United States

Died: May 24, 1991, Sherman Oaks, California, United States

Age: 46

Cause of death: Heart attack after hard living lifestyle including drink and drug use.

Notable because: Founder member of The Byrds and admired songwriter..

Gene Clark was an American singer-songwriter, and one of the founding members of the folk-rock group The Byrds.

Gene Clark is best remembered for being The Byrds' main songwriter between 1964 and 1966. He created a large catalogue of music in several genres but failed to achieve solo commercial success. Clark was one of the earliest exponents of psychedelic rock, baroque pop, newgrass, country rock and alternative country.

Born in Tipton, Missouri, the third of thirteen children, Clark began learning the guitar from his father at age nine and was soon picking out Hank Williams tunes as well as material by early rockers such as Elvis Presley and the Everly Brothers. Before long he was writing his own songs and, at 13, joined a local Rock and roll combo, Joe Meyers and the Sharks. Like many of his generation, Clark developed an interest in folk music because of the popularity of the Kingston Trio. Clark graduated from Bonner Springs High School in Bonner Springs, Kansas in 1962.

He began performing with several folk groups working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum, where he was discovered by The New Christy Minstrels, in August 1963, who hired him for their ensemble and with whom he remained for six months. After hearing the Beatles, Clark quit the Christys and moved to Los Angeles where he met fellow folkie/Beatles convert Jim (later Roger) McGuinn at the Troubadour Club and in early 1964 they began to assemble a band that would become The Byrds.

Gene Clark wrote or co-wrote many of The Byrds' best-known originals, including: "I'll Feel a Whole Lot Better", "Set You Free This Time", "Here Without You", "If You're Gone", "The World Turns All Around Her", "She Don't Care About Time" and "Eight Miles High". He played harmonica for the band, too (notably on "Set You Free This Time"). Bassist Chris Hillman noted years later in various interviews remembering Gene: "People don't give enough credit to Gene Clark. He came up with the most incredible lyrics. I don't think I appreciated Gene Clark as a songwriter until the last two years. He was awesome! He was heads above us! Roger wrote some great songs then, but Gene was coming up with lyrics that were way beyond what he was. He wasn't a well-read man in that sense, but he would come up with these beautiful phrases. A very poetic man--very, very productive. He would write two or three great songs a week". "He was the songwriter. He had the "gift" that none of the rest of us had developed yet.... What deep inner part of his soul conjured up songs like "Set You Free This Time," "I'll Feel A Whole Lot Better," "I'm Feelin' Higher," "Eight Miles High"? So many great songs! We learned a lot of songwriting from him and in the process learned a little bit about ourselves. At one time, he was the power in the Byrds, not McGuinn, not Crosby—it was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could take their eyes off this presence."

A management decision delivered the lead vocal duties to McGuinn for their major singles and Dylan covers. This disappointment, combined with Clark's dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling and he left the group in early 1966. He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart.

Columbia Records, (the Byrds' record label), signed Clark as a solo artist and, in 1967, he released his first solo LP, Gene Clark with the Gosdin Brothers, a mixture of pop, country rock and baroque-psychedelic tracks—Chris Hillman had worked with the Gosdin brothers in the mid 1960s when he and they were members of the Southern California bluegrass band called The Hillmen. The record received favorable reviews but unfortunately for Clark, it was released almost simultaneously with the Byrds' Younger Than Yesterday, also on Columbia, and (partly due to his 18 month-long public absence) was a commercial failure. With the future of his solo career in doubt, Clark briefly rejoined the Byrds in 1967 as a replacement for the recently-departed David Crosby but left after only 3 weeks following a panic attack in Minneapolis.Gene Clark and The Long Ryders

In 1968, Clark signed with the artist-friendly A&M Records and began a collaboration with Laramy Smith, forming Phoenix. Group members included Aron Vanderwhort on bass and Wayne Bruns on drums. They recorded a number of songs, including "Los Angeles", composed by Al Purdy, Laramy Smith and Gene Clark, and produced by Laramy Smith, which later featured on the Flying High double CD released on A&M in 1998. In 1969 Phoenix disbanded when Smith and Clark could not agree on a common style. Smith went on to form Arizona with Sneaky Pete of The Flying Burrito Brothers.[2][3] Following the breakup, Clark formed Dillard & Clark with banjo player Doug Dillard. With guitarist Bernie Leadon (formerly of Scottsville Squirrel Barkers with Chris Hillman and later with The Flying Burrito Brothers and the Eagles), they produced two country rock and bluegrass-flavored albums: The Fantastic Expedition of Dillard & Clark and Through the Morning Through the Night, both of which fared poorly on the charts but were praised by critics. In 1969 a single was released, "Lyin Down The Middle", a Smith and Clark composition, which reached number 3 in California. Through the Morning, Through the Night was more bluegrass in character than its predecessor, used electric instrumentation and included Donna Washburn (Dillard's girlfriend) as a backing vocalist, all of which contributed to the departure of Bernie Leadon. The loss of Leadon as a co-writer meant that the album featured more covers than originals, and the change of musical direction caused Clark to lose faith in the group, which disbanded in late 1969. Dillard & Clark, The Flying Burrito Brothers, Buffalo Springfield, Poco, The Byrds and Laramy Smith can be credited as prime influences on later country rock performers such as The Eagles, Pure Prairie League and Firefall.

In 1970, Clark began work on a new single, recording two tracks with the original members of the Byrds (each recording his part separately). The resulting songs, "She's the Kind of Girl" and "One in a Hundred", were not released at the time due to legal problems and were included later on Roadmaster. Frustrated with the music industry, Clark bought a home at Albion near Mendocino, married, and fathered two children while living off his still substantial Byrds royalties.

In 1970 and 1971, Clark contributed vocals and two compositions ("Tried So Hard" and "Here Tonight") to albums by the Flying Burrito Brothers.

It wasn't until 1971 that a further Gene Clark solo set finally emerged. The album was titled White Light on the actual record, although the fact that the name was not included on the cover sleeve led some later reviewers to assume mistakenly that it was titled 'Gene Clark'. The record was produced by the much sought after Native American guitarist Jesse Ed Davis with whom Clark developed great rapport, partly due to their common Indian ancestry. A largely-acoustic work supplemented by slide guitar work by Davis, the album contained many introspective tracks such as "With Tomorrow", "Because of You", " Where My Love Lies Asleep" and "For a Spanish Guitar" (supposedly hailed by Bob Dylan as a song he would have been proud to compose). All of the material was written by Clark, with the exception of the Dylan number "Tears of Rage". Launched to considerable critical acclaim, the LP failed to gain commercial success, except in the Netherlands where it was also voted album of the year by rock music critics. Once more, Clark's refusal to undertake promotional touring adversely affected sales.

In the spring of 1971, Clark was commissioned by Dennis Hopper to contribute the tracks "American Dreamer" and "Outlaw Song" to Hopper's film project, American Dreamer.

A re-recorded, longer version of the song "American Dreamer" was later used in the 1977 film The Farmer, along with an instrumental version of the same song plus "Outside the Law (The Outlaw)" (a re-recording of "Outlaw Song").

In 1972, Clark assembled a backing group consisting of highly accomplished country rock musicians to accompany him on a further album with A&M. Progress was slow and expensive and the project was terminated before completion by A&M. The resulting eight tracks, together with those recorded with The Byrds in 1970/71 and another with The Flying Burrito Brothers ("Here Tonight"), were belatedly released as Roadmaster in the Netherlands only.

In 1972, the Dillard & Clark song "Through The Morning Through The Night" was used in Quincy Jones's soundtrack of the Sam Peckinpah movie The Getaway. This song was also recently covered by Robert Plant and Alison Krauss on their album "Raising Sand".

Clark then left A&M to join the reunion of the original five Byrds and cut the album Byrds (released in 1973) which charted well (US # 20). Clark's compositions "Full Circle" and "Changing Heart" plus the Neil Young covers on which he did the lead vocal work ("See the Sky About to Rain" and "Cowgirl in the Sand") were widely regarded as the standout tracks on a record which received some negative critical response. Disheartened by the bad reviews and unhappy with David Crosby's performance as the record's producer, the group members chose to dissolve The Byrds. Clark briefly joined McGuinn's solo group, with which he premiered "Silver Raven", arguably his most celebrated post-Byrds song.


On the basis of the quality of Clark's Byrds contributions, David Geffen signed him to Asylum Records in early 1974. Asylum was the home of the most prominent exponents of the singer-songwriter movement of the era and carried the kind of hip cachet that Clark hadn't experienced since his days with The Byrds. He retired to Mendocino and spent long periods at the picture window of his friend (and future co-writer and drummer) Andy Kandanes' cliff-top home with a notebook and acoustic guitar in hand, staring at the Pacific Ocean. Deeply affected by his visions, he composed numerous songs which would serve as the basis for his only Asylum LP, the aptly titled No Other. Produced by Thomas Jefferson Kaye with a vast array of session musicians and backing singers, the album was an amalgam of country rock, folk, gospel, soul and choral music with poetic, mystical lyrics. The fact that No Other wasn't a conventional pop/rock opus meant that its chances of success were greatly minimised by Clark's relative obscurity. Furthermore, its production costs of $100,000 which yielded only eight tracks prompted Geffen to berate Clark and Kaye. The album then stalled in the charts at #144. On a more personal note, the singer's return to Los Angeles and his reversion to a hedonistic lifestyle resulted in the disintegration of his marriage. In spite of these setbacks, he mounted his first solo tour (by road), playing colleges and clubs with backing group, the Silverados.


Throughout 1975 and 1976, Clark hinted to the press that he was assembling a set of "cosmic Motown" songs fusing country-rock with R&B and funk, elaborating on the soundscapes of No Other. A set of ten demos were submitted to RSO Records, who promptly bought out Clark's contract.

In 1977, Clark released his RSO Records debut entitled Two Sides to Every Story. Once again produced by Thomas Jefferson Kaye but with a much more understated hand, the record was another characteristic offering of his style of sensitive country-rock balladry but failed to achieve US chart success. In a belated attempt to find an appreciative public, he temporarily overcame his fear of flying and launched an international promotional tour.

For his British tour dates, Clark found himself on the same bill as ex-Byrds Roger McGuinn and Chris Hillman. The three signed with Capitol Records which released their self-titled debut in 1979. McGuinn, Clark and Hillman was a rebirth in both performing and songwriting for Clark. McGuinn's "Don't You Write Her Off" reached #33 in April 1979. Many felt that the album's slick production and disco rhythms didn't flatter the group, and the album had mixed success both critically and commercially, but it sold enough to generate a follow up. McGuinn, Clark and Hillman's second release was to have been a full group effort entitled City, but a combination of Clark's unreliability and his dissatisfaction with their musical direction (mostly regarding Ron and Howard Albert's production) resulted in the billing change on City to "Roger McGuinn and Chris Hillman, featuring Gene Clark". Despite the turmoil, Clark penned a classic love song, "Won't Let You Down", rumoured to have been offered as an olive branch to the other former Byrds. By 1981, Clark had left, and the group recorded one more album as "McGuinn/Hillman".[

Clark moved to Hawaii with Jesse Ed Davis to try to overcome his drug dependency, remaining there until the end of 1981. Upon his return to L.A., he assembled a new band and proceeded to record what would eventually become the album Firebyrd (the title acknowledges the Byrds and Firefall origins of some members). While waiting for Firebyrd to be released, Clark joined up with Chris Hillman and others in an abortive venture called Flyte which failed to secure a recording contract and was quickly dissolved. Firebyrd's eventual release in 1984 coincided with the emergence of jangle rockers like R.E.M. and Tom Petty who had sparked a new interest in the Byrds. Clark began developing new fans among L.A.'s roots-conscious paisley underground scene. Later in the decade, he embraced his new status by appearing as a guest with The Long Ryders and by cutting a duo album with Carla Olson of the Textones titled So Rebellious a Lover in 1986.

So Rebellious a Lover became a modest commercial success, but Clark began to develop serious health problems; he had ulcers, aggravated by years of heavy drinking (often used to alleviate his chronic travel anxiety). In 1988, he underwent surgery, during which much of his stomach and intestines had to be removed.

A period of abstinence and recovery followed until Tom Petty's cover of "I'll Feel a Whole Lot Better" on his 1989 album Full Moon Fever yielded a huge amount of royalty money to Clark who quickly reverted to drug and alcohol abuse. The Byrds set aside their differences long enough to appear together at their induction into the Rock & Roll Hall of Fame in January 1991, where the original lineup performed several songs together, including Clark's "I'll Feel a Whole Lot Better."

However, Clark's health continued to decline as his drinking accelerated. He died of a heart attack on May 24, 1991 at age 46. He was buried in Tipton under a simple headstone inscribed "Harold Eugene Clark - No Other."

 During his career and subsequent to his death, Gene Clark's songs have been covered by a number of artists. Ian Matthews was an early promoter of Clark's songs, covering "Polly" on Matthews' 1972 Journeys from Gospel Oak album, and "Tried So Hard" on his 1974 Some Days You Eat The Bear album. Death In Vegas and Paul Weller covered his song "So You Say You Lost Your Baby" on their 2003 album Scorpio Rising. In 2007, two of his songs were recorded by Alison Krauss and Robert Plant on the T-Bone Burnett produced Raising Sand: "Polly Come Home" and "Through the Morning, Through the Night." Also in 2007, Chris and Rich Robinson released a live version of "Polly" on their Brothers of a Feather: Live at the Roxy album. This Mortal Coil covered "Strength of Strings" from his LP No Other and "With Tomorrow" from LP White light. Soulsavers with Mark Lanegan recorded a version of "Some Misunderstanding" from No Other on their 2009 release Broken. Title Tracks recorded a version of "She Don't Care About Time" on its 2010 release, It Was Easy. The song has also been covered by Sex Clark Five and Flamin' Groovies.

Gene Clark (aka White Light)

Manufacturer: INgrooves Fontana/UMe Imports
Offers - Buy New From: $4.09 Used From: $2.87
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Editorial Review: Digitally remastered 1971 solo album from the late singer/songwriter, best known for his tenure with the sixties pop band The Byrds. Produced by Jesse Ed Davis. Includes 5 bonus tracks ('Because Of You (Different Mix)', Stand By Me, Ship Of The Lord', 'Opening Night', 'Winter In').


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Lost Studio Sessions 1964-1982

Manufacturer: Sierra
Offers - Buy New From: $28.32 Used From: $32.35
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Editorial Review: 24 tracks-Two CDs worth of music. Playable on both standard CD and SACD players, 36 page booklet. At long last, these 24 thought-to-be-lost recordings by the late, great Gene Clark is now in release on Sierra Hybrid SACD and Sierra High Fidelity on 2 LP audiophile vinyl set. These incredible recordings, which have never been released commercially, are from the original analog master studio recording sessions held in Los Angeles between 1964 and 1982. Gene Clark was one of the most influential musical pioneers of the rock era. A pivotal figure at the births of rock music's golden trifecta of hyphenated subgenres (folk, psychedelic and country) in the1960s, he earned his rightful place in the Rock 'n' Roll Hall of Fame as a founding member and principal songwriter of The Byrds. After leaving the Byrds at the height of their fame in early 1966, Clark embarked upon a fearless solo career that embraced everything from chamber pop and progressive bluegrass to acoustic ballads and sweeping cosmic prog. His rich body of work has spawned cover versions by a wide range of artists, including Robert Plant/Alison Krauss, The Eagles, Tom Petty, Linda Ronstadt and others. Always forward-looking, always prolific, Clark left behind a rich legacy of professionally recorded music both released and unreleased. This album introduces previously unreleased studio sessions from Clark's pre-Byrds days in 1964, to his 1982 reunion with former bandmates, Chris Hillman and Michael Clarke, as Nyteflyte. Since his passing in 1991, many of Gene Clark's home demo recordings and various live recordings have been released. Actual studio recording sessions were rare and their existence was more rumor than fact until now! This collection of "lost"


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ROADMASTER

Manufacturer: Sundazed
Offers - Buy New From: $11.18 Used From: $10.00
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Editorial Review: Gene recorded eight tracks of longing, introspection and country-rock splendor in'72, only to see them ultimately abandoned. Gene's manager took the tracks, added three unissued ones, and got them released in '73-but in Europe only (U.S. fans discovered them later); these almost-lost treasures include Once in a Hundred; Here Tonight; Full Circle Song; In a Misty Morning; Rough and Rocky , and more!


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Two Sides to Every Story

Manufacturer: High Moon Records
Offers - Buy New From: $18.06 Used From: $17.28
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Editorial Review: 1CD, hardbound digipak, bonus tracks, 26-page booklet


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Live At The Boarding House

Manufacturer: All Access
Offers - Buy New From: $7.93 Used From: $10.64
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Editorial Review: This 1978 live broadcast recording is a marvelous showcase for the talents of four of the prime movers in one of America's most popular groups. Roger McGuinn, Gene Clark and Chris Hillman - and their star guest this evening, David Crosby - were all leading lights in The Byrds. During this unique performance, at San Francisco's intimate Boarding House, each of the main trio is given a chance to shine in a solo spotlight before reuniting for some great reprises of Byrds' classics. The ensemble is further bolstered by the welcome addition of David Crosby in an eight song tour-de-force to close a legendary show. The late Gene Clark kicks off proceedings with sterling renditions of Silver Raven, from his best-known solo album, 'No Other', and Release Me Girl, before turning over the stage to Chris Hillman. For his own turn centre-stage Hillman chooses to highlight two tracks that were originally included on the double-album, 'Manassas', Bound To Fall and It Doesn't Matter. Next up is the one constant member of the ever-changing Byrds line-ups, Roger McGuinn, who plays two songs most closely associated with him personally, Jolly Roger from his 1976 solo album, 'Cardiff Rose' and Ballad Of Easy Rider which was co-written with Bob Dylan. Next, the three principals combine for spell-binding reworkings of the highly evocative Chestnut Mare - originally from The Byrds' 1970 album, 'Untitled' - Thomas Jefferson Kaye's Crazy Ladies, and Gene Clark and Bernie Leadon's Train Leaves Here This Morning. Completing a quartet of masterful musicians, David Crosby joins the others for a tremendous journey through a selection of The Byrds' finest moments: their groundbreaking versions of Dylan's Mr. Tambourine Man and You Ain't Going Nowhere, Pete Seeger's Turn! Turn! Turn!, the iconic Eight Miles High and (So You Want To Be A) Rock n Roll Star and Gene's glorious Feel A Whole Lot Better. The ensemble also find time for a fine version of Knocking On Heaven's Door and Bye Bye Baby.


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Last Updated on Tuesday, 14 September 2010 05:20
 

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